Of all the filmmakers who’ve made creative pivots in their career, few have had as drastic a turn as Timur Bekmambetov. The Kazakh director broke out with a couple of vampire movies in Russia before making his big Hollywood debut with the action-packed comic book adaptation Wanted, which grossed nearly $350 million worldwide. The movie introduced him to the mainstream as a filmmaker with an eye for stylized action. However, Bekmambetov has dedicated the last 15 years of his career to an entirely different kind of filmmaking. During this time, he has become something of an authority on “screenlife” films — movies that unfold entirely on digital screens. Earlier this year, Bekmambetov made his Hollywood directorial comeback with Mercy, starring Chris Pratt and Rebecca Ferguson. However, those interested in revisiting his earlier work might want to head over to HBO Max, where his follow-up to Wanted is streaming till the end of the month.
While there were conversations about a sequel to Wanted, Bekmambetov was given a wide berth on his ambitious follow-up project, an adaptation of a novel by Seth Grahame-Smith. The movie was produced by Tim Burton and designed to launch a new franchise, but it underperformed at the box office and received mediocre reviews, putting an end to those plans. The film was released theatrically in 2012, the same year as Quentin Tarantino‘s spaghetti Western Django Unchained and Steven Spielberg‘s biographical epic Lincoln, with which it surprisingly shared a few thematic overlaps. It starred Benjamin Walker in the lead role, along with two MCU alums — Dominic Cooperand Anthony Mackie.
Collider Exclusive · 8 Questions · 2 Minutes Which Western Icon Are You Most Like? No Name · Doc Holliday · Wyatt Earp · Mattie Ross
Pick your name, your gun, your horse and how you spend a night in town, and we will tell you which legend of the Old West you would have been. Four icons are waiting at the end of this: the stranger who never gives his name, the gambler who would die for a friend, the lawman who never wanted the badge, and the girl nobody has ever talked out of anything.
🚬No Name(Dollars Trilogy)
🃏Doc Holliday(Tombstone)
⭐Wyatt Earp(Tombstone)
🐎Mattie Ross(True Grit)
01
The town is about to learn your name. What do they call you? In a Western, what people call you is already half the character.
02
What are you carrying? Everything out here is character, right down to what is sitting on your hip.
03
What are you riding? A hero and their horse is one of the oldest relationships in cinema.
04
You have got one evening in town. How does it go? The saloon is where these films quietly tell you who somebody really is.
05
A stranger offers you money for a job that sounds like trouble. Somebody always turns up with a full purse and a bad idea.
06
Somebody is waiting for you in the street. What does the town see? Two people, an empty road, and everybody else watching from behind the shutters.
07
What is the one thing you will not do out here? The code is about the only thing west of the river that actually holds.
08
The job is finished. Where does the story leave you? Eight questions in, this is the one that decides your icon.
The Dust Has Settled Your Western Icon Is…
Four icons and four completely different ways of walking into trouble.
This is the one you would have been out there, why it fits, and what it would have cost you.
The Dollars Trilogy · 1964–1966
The Man With No Name
You have never explained yourself and you have never needed to,
because people work out fairly quickly that you are the most capable person in the room
without you ever having to mention it.
Eastwood built the character out of everything he refused to do, stripping away the
backstory, the speeches and every bit of reassurance until only the competence was left.
You keep your own counsel, and while other people occasionally find that unnerving, you
have never felt any real need to fix it for them.
The Dollars films work because he genuinely is in it for himself right up until the
moment he is not, and he never explains that part either.
You would be gone before anybody got a chance to thank you.
Doc Holliday · Tombstone · 1993
Doc Holliday
You are the funniest person in most rooms and the most loyal
person in all of them, and you would be genuinely insulted if somebody suggested those two
things were in any tension.
Doc has no real reason to be in this fight beyond the fact that his friend is in it,
which is the only reason he has ever needed for anything.
You lead with wit, and it does a very effective job of hiding how seriously you take the
handful of people you actually care about.
Val Kilmer’s performance is the most quoted in the entire genre because the jokes keep
getting sharper as the situation gets worse.
You would spend everything you had on this and still describe it as a good week.
Wyatt Earp · Tombstone · 1993
Wyatt Earp
You never wanted this job, and you took it anyway because the
alternative was standing there watching somebody less careful do it badly, which is the most
Western reason there has ever been.
Earp is the reluctant authority figure, a man who came to town specifically to be left
alone and somehow ended up answerable for all of it.
You are protective by instinct, so when something goes wrong your first thought is who
is exposed rather than who is to blame.
These films understand that keeping order costs far more than breaking it, and that the
person holding the line almost never gets thanked.
You would do the whole thing again, and you would complain about it the entire time.
Mattie Ross · True Grit · 1969 & 2010
Mattie Ross
Nobody has ever successfully talked you out of something you had
already decided was right, and a long line of grown adults has found that out the hard way.
Mattie is the most relentless character in the Western canon and she manages it through
argument, paperwork and flat refusal rather than a fast draw.
You have no patience for being managed, so you negotiate, you check the details and you
turn up exactly when you said you would.
True Grit is the rare Western where the moral centre is the youngest person on screen
and every adult around her has to catch up.
You would get what you came for, and the film is honest about what that takes out of
you.
The Fantasy Horror Film Is Leaving HBO Max
Also featuring Mary Elizabeth Winstead, the movie we’re talking about is Abraham Lincoln: Vampire Hunter. The movie portrayed Lincoln as a secret vampire killer who targets undead slave owners during the Civil War. Produced on a reported budget of $100 million, the film grossed around $115 million worldwide. It now holds a 34% score on the aggregator website Rotten Tomatoes, where the consensus reads, “Abraham Lincoln: Vampire Hunter has visual style to spare, but its overly serious tone doesn’t jibe with its decidedly silly central premise, leaving filmgoers with an unfulfilling blend of clashing ingredients.” You can watch the film on HBO Max until November 1. Stay tuned to Collider for more updates.
