Ben Affleck and Matt Damon Officially Return to ‘Millionaire’ With Supersized Episodes [Exclusive] - FlaNotícias
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Ben Affleck and Matt Damon Officially Return to ‘Millionaire’ With Supersized Episodes [Exclusive]



Ben Affleck and Matt Damon have spent decades proving that friendship can survive almost anything, including Hollywood, the Oscars, and one seriously lopsided collection of Jimmy Kimmel jokes. Now, the longtime best friends are returning to one of television’s most intimidating hot seats, although they will not be sitting in it together. Both stars have previously competed on Who Wants to Be a Millionaire?, putting their celebrity status to good use while attempting to raise money for charity. Their respective appearances also delivered something especially rare for the game show: not one, but two trips to its top prize. Soon, viewers will be able to watch those victories unfold with even more footage than ABC originally aired.

Collider can exclusively reveal a new promo and release date for two supersized episodes of Who Wants to Be a Millionaire? featuring Affleck and Damon’s back-to-back $1 million wins. The extended cuts will air Wednesday, September 23, beginning with Damon and Ken Jennings at 8:00 p.m. EDT, followed by Affleck and Jamie Ding at 9:00 p.m. EDT. Both episodes will include never-before-seen moments from the pairs’ respective races toward the million-dollar prize.































































Collider Exclusive · Oscar Best Picture Quiz
Which Oscar Best Picture
Is Your Perfect Movie?

Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country

Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.

🪜Parasite

🌀Everything Everywhere

☢️Oppenheimer

🐦Birdman

🪙No Country for Old Men

01

What kind of film experience do you actually want?
The best movies don’t just entertain — they leave something behind.





02

Which idea grabs you most in a film?
Great films are driven by a central obsession. What’s yours?





03

How do you like your story told?
Form is content. The way a story is shaped changes what it means.





04

What makes a truly great antagonist?
The opposition defines the protagonist. What kind of opposition fascinates you?





05

What do you want from a film’s ending?
The final note is the one that lingers. What do you want it to sound like?





06

Which setting pulls you in most?
Where a film takes place shapes everything — mood, stakes, what’s even possible.





07

What cinematic craft impresses you most?
Every great film has a signature — a technical or artistic element that makes it unmistakable.





08

What kind of main character do you root for?
The protagonist is the lens. Who you choose to follow says something about you.





09

How do you feel about a film that takes its time?
Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.





10

What do you want to feel walking out of the cinema?
The best films leave a mark. What kind of mark do you want?





The Academy Has Decided
Your Perfect Film Is…

Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.

Parasite

You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.

Everything Everywhere All at Once

You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.

Oppenheimer

You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.

Birdman

You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.

No Country for Old Men

You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.

Matt Damon and Ben Affleck Are Returning to the ‘Millionaire’ Hot Seat

Damon’s episode, titled “In the Hot Seat: Matt Damon & Ken Jennings,” pairs the Oscar winner with one of the most formidable trivia players alive. Jennings became a household name through his record-setting run on Jeopardy! before eventually taking over as the show’s host. The episode’s official logline also continues Millionaire host Kimmel’s long-running fake feud with Damon, promising, “Finally, we have time for Matt Damon.” Immediately afterward, Affleck will join Jeopardy! superchampion Jamie Ding for “In the Hot Seat: Ben Affleck & Jamie Ding.” Ding made history as the first contestant to reach the Jeopardy! Tournament of Champions after beginning her run through the show’s Second Chance competition. With her trivia credentials and Affleck’s willingness to take a big swing, the pair proved they could go all the way.

Celebrity contestants on Who Wants to Be a Millionaire compete on behalf of charities, meaning the massive prizes come with much more than bragging rights between Affleck and Damon. The new extended episodes will give audiences a closer look at the questions, deliberations, and tense moments that led to both million-dollar wins.

Who Wants to Be a Millionaire: In the Hot Seat airs its two supersized episodes Wednesday, September 23, from 8:00 to 10:00 p.m. EDT on ABC. Stay tuned at Collider for more.



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